Gareth COUSINS – Music Editor/Music Producer
The Gareth Cousins Effect? Gareth is an award-winning UK music editor/ mixer/engineer/producer with a distinguished career, and has helped shape cinematic experiences through his definitive contributions to the art of film music production, helping to generate over $3.5 billion in box office success. Always fascinated by the concept of recording music, and how sound can be manipulated as part of the recording and mixing process, his career began at the legendary Abbey Road Studios.
His career highlights include working on the BAFTA and Academy Award-winning scores for Gravity, Heart of Stone, Baby Driver, Suicide Squad and the legendary Notting Hill, all of which earned Gareth many awards (see below).
With a scalable network of collaborators featuring a wealth of musical experience and talent, Gareth delivers a comprehensive set of world-class film, game, and TV music production services, from the brief, through composition, to production, arranging and orchestration, scoring, mixing, music editing and dubbing, breathing life into briefs and concepts to create exceptional music and across all budgets.
Recent credits as music editor include:
The Swimmers (Netflix)
Gunpowder Milkshake (StudioCanal)
David Attenborough: A Life on Our Planet (Netflix)
Earthshot (BBC)
Our Planet (Netflix)
The Hunt (BBC)
Dolphin Reef (Disney)
Blue Whales: Return of the Giants (SK Films)
Selected Awards and Nominations:
Gravity
CAS winner: Outstanding Achievement in Mixing
Academy winner, best score (score mixer, recording)
BAFTA winner, best score (score mixer, recording)
Grammy nomination, best soundtrack (score mixer, recording)
Ascap winner, Top Box Office film, best score (score mixer, recording)
David Attenborough: A Life on Our Planet
Emmy winner Best Score (score mixer)
Emmy nomination – Sound Editing (music editor)
CAS nomination – Outstanding Achievement in Mixing (score mixer)
Over The Moon
Annie Nomination – best Music in an Animated Feature (score/song mixer)
Our Planet
Emmy Nominations, best dramatic score, best title music (score mixing, recording)
The Hunt
BAFTA winner, best original music score (score mixer, recording)
Baby Driver
CAS nomination – Outstanding Achievement in Mixing (score mixer)
Suicide Squad
Ascap winner, Top Box Office film, best score (score mixer, recording)
Batman Begins
MPSE Nomination – Best Sound Editing in Feature Film – Music (music editor)
Notting Hill
Brit award winner – best soundtrack (score mixer/song mixer)
Ascap winner, Top Box Office film, best score (score mixer, recording)
Madron
BAFTA CYMRU winner – (Music Composition)
Merlin
Emmy nomination, best dramatic score (score mixing, recording)
The Mighty
Golden Globe nomination – best song (Sting) (score mixer/song mixer) nominations as score mixer / engineer
Clients include:
Warner Bros, Universal, Netflix, Paramount, Amblin, Amazon, Apple, Disney, Sony, BBC, Silverback, RSC, Pearl Studios, StudioCanal, CBS Films, Tristar, Bad Robot, Columbia, 20th Century Fox, New Line Cinema.
